พบกับกล้องทรงพลังรอบด้าน “FUJIFILM GFX100 II”
กล้อง GFX100 II มาพร้อมกับเซนเซอร์ขนาดใหญ่พิเศษที่ใหญ่กว่าเซนเซอร์ฟูลเฟรม 35มม. ประมาณ 1.7 เท่า ทำให้ได้โทนสีที่สวยงามและรายละเอียดที่สมจริง GFX100 II ชูความเหนือระดับด้วยเซนเซอร์ความเร็วสูงที่พัฒนาขึ้นมาใหม่อย่าง “GFX 102MP CMOS II HS” ที่มีความละเอียดถึง 102 ล้านพิกเซล เมื่อทำงานร่วมกับหน่วยประมวลผลภาพความเร็วสูง “X-Processor 5” จึงทำให้การถ่ายภาพต่อเนื่องและการถ่ายวิดีโออัดแน่นไปด้วยประสิทธิภาพอันน่าทึ่ง
เซนเซอร์ภาพความเร็วสูงและระบบประมวลผลขั้นสูงทำให้กล้องรองรับ AF ที่ตรวจจับวัตถุที่ขับเคลื่อนด้วย AI ซึ่งพัฒนาขึ้นโดยใช้เทคโนโลยี Deep Learning พร้อมด้วยอัลกอริทึม AF โฉมใหม่ การยกระดับประสิทธิภาพในครั้งนี้ช่วยเสริมพลังการถ่ายภาพต่อเนื่องที่เคยทำได้ 5.0 เฟรมต่อวินาทีเป็น 8.0 เฟรมต่อวินาที พร้อมรองรับการถ่ายภาพหลากหลายแนวที่ต้องอาศัยการเก็บภาพที่เร็วทันใจ เช่น แฟชั่น ภาพโฆษณา วิวทิวทัศน์ กีฬา และการทำข่าว
บอดี้รุ่นล่าสุดนี้มาพร้อมกับความสามารถการถ่ายวิดีโอสุดล้ำ สามารถบันทึกวิดีโอ 4K/60P 4:2:2 10 บิต พร้อมรองรับวิดีโอ 8K/30P เป็นครั้งแรกของซีรีส์ GFX นอกจากนี้ยังมีเมนูใหม่ “Video Format” ของกล้องที่จะปรับฟอร์แมตวิดีโอตามเลนส์ที่ติดตั้ง เช่น Premista 35มม. และ Anamorphic (35 มม.) ทำให้ได้การตั้งค่าการบันทึกวิดีโอที่เหมาะสม นอกจากนี้ GFX100 II ยังมีโหมด Film Simulation แบบใหม่ “REALA ACE” ช่วยเพิ่มลูกเล่นด้วยสีสันที่สมจริงเป็นธรรมชาติและโทนสีคอนทราสต์ ต่ำ เหมาะสำหรับการถ่ายวัตถุและสถานการณ์ที่หลากหลาย จอแสดงผล LCD ขนาดใหญ่ที่สามารถปรับหมุนได้ พร้อมด้วยพื้นผิวกล้องแบบใหม่ BISHAMON ให้ผิวสัมผัสที่หรูหราและกระชับมือ ที่ตอบสนองความต้องการของช่างภาพและช่างวิดีโอ
มืออาชีพได้อย่างยอดเยี่ยม
ฟีเจอร์หลักของกล้อง FUJIFILM GFX100 II
- การถ่ายภาพต่อเนื่องและฟังก์ชัน AF สุดล้ำ
- เซนเซอร์ภาพความละเอียด 102 ล้านพิกเซลคุณภาพสูง “GFX 102MP CMOS II HS” ให้ความเร็วในการอ่านสัญญาณเป็น 2 เท่าสำหรับการถ่ายภาพต่อเนื่อง 8.0 เฟรมต่อวินาที
- Face/Eye AF ขั้นสูง และ AF ตรวจจับวัตถุด้วยเทคโนโลยี AI และอัลกอริทึม AF อัจฉริยะช่วยเพิ่มความสามารถในการติดตามวัตถุได้หลากหลาย รวมถึงสัตว์ รถยนต์ และอื่นๆ
- EVF กำลังขยายสูงที่ความละเอียด 9.44 ล้านจุด พร้อมกำลังขยาย 1.0 เท่า ช่วยให้มั่นใจในการจัดเฟรมและการติดตามที่แม่นยำ
- ปรับแต่งฟังก์ชัน Zone AF ของกล้องได้ตามต้องการ สามารถปรับพื้นที่ AF ให้เหมาะกับสถานการณ์การถ่ายภาพเพื่อให้โฟกัสอัตโนมัติได้แม่นยำยิ่งขึ้น
- ยกระดับการถ่ายภาพนิ่งไปอีกขั้น
- ความไวแสง เริ่มต้น ISO80 และไมโครเลนส์ที่ปรับปรุงใหม่ช่วยเพิ่มคุณภาพของภาพและความแม่นยำของ AF
- โหมด Film Simulation กว่า 20 แบบ รวมถึงการจำลองแบบฟิล์มใหม่ล่าสุดอย่าง “REALA ACE”
- ฟังก์ชัน Pixel Shift Multi-Shot ให้ความละเอียดเพิ่มขึ้น 4 เท่าและช่วงสีที่แม่นยำ
- รองรับรูปแบบไฟล์ HEIF สำหรับการเก็บภาพคุณภาพสูง
- ถ่ายวิดีโอคุณภาพสูงได้ดั่งใจ
- บันทึกวิดีโอ 4K/60P และวิดีโอ 8K/30P พร้อมรองรับ Apple ProRes 3 รูปแบบ
- เมนู Video Format ที่ปรับตามรูปแบบของเลนส์เพื่อได้การตั้งค่าที่เหมาะสมที่สุด
- AF แบบติดตามสำหรับการบันทึกวิดีโอ F-Log2 พร้อมช่วงไดนามิกที่กว้างขึ้น และเอาต์พุต RAW 8K/30P 12-บิต ผ่าน HDMI
- รองรับการเชื่อมต่อและบันทึกข้อมูลได้หลายระบบเพื่อการใช้งานที่คล่องตัว
- พอร์ต Ethernet, ช่องต่อ HDMI Type A และ USB-C ช่วยให้เชื่อมต่ออุปกรณ์ภายนอกได้อย่างสะดวกสบาย
- รองรับ External SSD สำหรับการบันทึกข้อมูลโดยตรง
- เชื่อมต่อกับ “Frame.io Camera to Cloud” และการซิงค์ timecode กับ ATMOS AirGlu™ BT
- ช่องเสียบการ์ดคู่สำหรับ CFExpress™ Type B และการด์ SD พร้อมรองรับข้อมูลเมตา IPTC
- ฮาร์ดแวร์อันทรงพลังและตั้งค่าการใช้งานได้ตามใจ
- ระบบป้องกันภาพสั่นไหวภายในตัวกล้อง IBIS แบบ 5 แกน 8 สต็อป
- สัมผัสกระชับมือด้วยพื้นผิวกล้อง BISHAMON-TEX
- จอควบคุมด้านบนเพื่อเข้าถึงการตั้งค่าอย่างรวดเร็ว
- อุปกรณ์เสริม: กริปแบตเตอรี่แนวตั้ง “VG-GFX II” และพัดลมระบายความร้อน “FAN-001” ช่วยให้กล้องพร้อมสำหรับสภาวะการถ่ายภาพที่หลากหลาย
- ปุ่ม Fn ที่ปรับแต่งได้สามปุ่มเพื่อการใช้งานกล้องที่สะดวกยิ่งขึ้น
MORE THAN FULL FRAME
New beginnings don’t start with taking new steps, they start with moving in new directions. And every new GFX System camera has taken a direction that has redefined what it means to be More Than Full Frame.
From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration.
GFX100 II continues this tradition by bringing unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras.
If it’s time to find some direction, discover one to new opportunities with GFX100 II.
GFX100 II brings a new 102-megapixel sensor “GFX 102MP CMOS II HS” with a readout speed that is about two times faster than GFX100S.Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.
High Speed Performance
A New Era in Autofocus
©Hendrik Osula
Subject Detection AF
X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
*Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.
©Markus Berger
Updated AF algorithm
GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.
High Performance at High Speed
©Chen Lei
8fps High-Speed Burst
GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.
*When mechanical shutter is selected
©Shelley Pearson
120fps Display Frame Rate in Boost Mode
Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.
Shortened Intervals and Decreased Viewfinder Blackout
Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.
©Hendrik Osula
5.3fps Blackout-Free Burst Operation
GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.
*When setting to electronic shutter
Other functions for High Speed
Zone Custom Setting
AF-C Custom Setting
Number of Focus Points
The Ultimate in Image Quality
©Oskar Bakke
GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you’ve never witnessed before.
©Satoshi Minakawa
ISO 80 Standard Sensitivity
By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
Improved Quality in Every Corner
©Michael Clark
Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.
©︎Jonathan Bielaski
HEIF Image Format Support
GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.
©︎Hirotsugu Komiya
Pixel Shift Multi-Shot
For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release. Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.
©︎Yukio Uchida
©︎Yukio Uchida
New film simulation REALA ACE
Enjoy the latest iteration of Fujifilm’s renowned color science – REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.
Other functions for Still
IPTC metadata
Auto White Balace
White Balance shift
Grain Effect
Color Chrome Effect
Color Chrome FX Blue
Smmoth Skin Effect
Clarity
Power and Precision for Video
4K/60p, 8K/30p, FHD/120p
4:2:2 10-bit Internal Recording
Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.
GF Format
Support for Multiple Cine Recording Formats
In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
Improved Subject Tracking
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.
High speed rolling shutter
Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.
F-Log2 Support
GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.
*When setting to F-Log2 D Range Priority
Compatible with Frame.io Camera to Cloud
Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.
New MF assist Focus MAP
For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.
RAW output via HDMI
Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.
FAN-001 Cooling Fan
Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.
Recording to External SSD via USB
Connecting an external SSD via a USB Type-C cable lets you record photos and videos directly to an external SSD in all modes and formats, including 4K/60p and 8K/30p. *
*Depending on the type of SSD, there are some modes and formats that cannot be recorded. Please check the compatibility list for SSD.
Other functions for Video
Waveform
Vectorscope
F-log2 D Range Priority Mode
ATOMOS AirGlu™ BT Wireless Timecode*
Pixel Mapping
Rec Frame Indicator
IS Mode Boost
Zebra Setting
*AirGlu™ is a trademark and a registered trademark of Atomos.
Frame With Confidence
8.0stops IBIS
Up to 8.0 Stops of In-Body Image Stabilization
Low light? No worries! GFX100 II is equipped with a new IBIS system that uses image information to detect blur, and provides up to eight stops of image stabilization* – more than any other Fujifilm camera. Confidently work hand-held in almost any lighting conditions, unlocking new levels of creativity for stills and video.
*Based on CIPA standards, when coupled with the FUJINON ＧF63mmF2.8 R WR
©︎Michael Clark
9.44 Million Dot 1.0x EVF
GFX100 II’s EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view.
Detail in Design
A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality.
New Leather Pattern BISHAMON-TEX™
Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a traditional Japanese-inspired imprint that improves grip in all directions.
Enhanced Top-Plate
A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.
Three Fn Buttons
Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.
| Model name | FUJIFILM GFX100 II | |
| Lens Mount | FUJIFILM G mount | |
| Image sensor | 43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter | |
| Number of effective pixels | 102 million pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit / 16bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 11648 x 8736 〈3:2〉 11648 x 7768 〈16:9〉 11648 x 6552 〈1:1〉 8736 x 8736 〈65:24〉 11648 x 4304 〈5:4〉 10928 x 8736 〈7:6〉 10192 x 8736 |
| ［M］ | 〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192 | |
| ［S］ | 〈4:3〉 4000 x 3000 〈3:2〉 4000 x 2664 〈16:9〉 4000 x 2248 〈1:1〉 2992 x 2992 〈65:24〉 4000 x 1480 〈5:4〉 3744 x 3000 〈7:6〉 3504 x 3000 | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO80～12800 (1/3 step) Extended Output: ISO40 / ISO25600 / ISO51200 / ISO102400 |
| Movie | Standard Output: AUTO / ISO100～12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV～+5.0EV 1/3EV step |
| Movie | -2.0EV～+2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 8.0 stops *based on CIPA standard *Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic shutter | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) |
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/1250sec. *When using the electronic front curtain shutter, the continuous shooting supports CL only |
|
| E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter) |
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. *When using the electronic front curtain shutter, the continuous shooting supports CL only |
|
| Movie | 8K/DCI8K: 1/4000sec. to 1/24 sec. 5.8K: 1/4000sec. to 1/24 sec. 5.4K: 1/4000sec. to 1/24 sec. 4.8K: 1/4000sec. to 1/24 sec. 4.6K(ANAMOR): 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/8 sec. FHD: 1/4000sec. to 1/8 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/125sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 8.7fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 260 frames, Compressed RAW + JPEG 156 frames, Lossless compressed RAW + JPEG 148 frames, Uncompressed RAW + JPEG 71 frames) CH Electronic shutter Approx. 5.8fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames) CH Electronic shutter Approx. 5.3fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 390 frames, Compressed RAW+JPEG 119 frames, Lossless compressed RAW+JPEG 119 frames, Uncompressed RAW+JPEG 98 frames) CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 325 frames, Lossless compressed RAW 302 frames, Uncompressed RAW 76 frames, Compressed RAW+JPEG 75 frames, Lossless compressed RAW+JPEG 75 frames, Uncompressed RAW+JPEG 55 frames) CH Mechanical shutter Approx. 5.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 497 frames, Compressed RAW+JPEG 153 frames, Lossless compressed RAW+JPEG 152 frames, Uncompressed RAW+JPEG 116 frames) CL Mechanical shutter Approx. 2.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames) *Electronic Front Curtain Shutter support CL only. *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| Pixel Shift Multi Shot | HIGH RESOLUTION + ACCURATE COLOR: Yes ACCURATE COLOR: Yes |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -2.5EV GF80mmF1.7 attached Phase Detection: -5.5EV GF80mmF1.7 attached |
|
| AF frame selection | Single point AF: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.64 inch OLED Color Viewfinder, Approx. 9.44 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 21mm (from the Rear End of the Camera’s Eyepiece) Diopter Adjustment: -5～+2m-1 Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° ) Built-In Eye Sensor |
|
| LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots |
|
| Touch Screen Mode | Shooting Mode | AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Sub LCD monitor | 2.09 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 320×219-dot |
|
| Movie recording | File format | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[8K(17:9)] 8192 x 4320 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [8K(2.76:1)] 8192 x 2968 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [5.8K(2.35:1)] 5824 x 2476 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [5.4K(17:9)] 5440 x 2868 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4.8K(3:2)] 4776 x 3184 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4.8K(16:9)] 4776 x 2688 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4.6K(1.38:1)] 4664 x 3380 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording) [Full HD(16:9) High speed rec.] 1920 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording) *Selectable mode will be changed depending on the “Image Format” setting. *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 – 3 | |
| Color temperature selection | 2500K～10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402～2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI connector (Type A) | |
| LAN Terminal | 1000BASE-T、100BASE-TX、10BASE-T | |
| Others | ø3.5mm, stereo mini connector (Microphone and Remote Release) ø3.5mm, stereo mini connector (Headphone) Hot shoe Synchronized terninal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Normal Mode: Approx. 540 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
|
| Actual battery life of movie capture*2 | 8K: Approx. 60min. (29.97p) 4K: Approx. 60min. (59.94p) Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 8K: Approx. 80min. (29.97p) 4K: Approx. 90min. (59.94p) Full HD: Approx. 140min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 152.4mm Height: 117.4mm Depth: 98.6mm (Minimum Depth: 46.5mm) |
|
| Excluding EVF | Width: 152.4mm Height: 103.5mm Depth: 73.5mm (Minimum Depth: 46.5mm) |
|
| Weight | including battery and memory card: Approx. 948g (including EVF: 1,030g) excluding battery and memory card: Approx. 867g (including EVF: 949g) |
|
| Operation Environment | Operating Temperature | -10℃～+40℃ |
| Operating Humidity | 10% – 80% (no condensation) | |
| Accessories included | Interchangeable electronic viewfinder EVF-GFX3 Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Vertical battery grip connector cover Memory card slot cover Sync terminal cover Cooling fan connector cover Cable protector |
|
Media Rec (CFexpress Type B card / SD memory card)
| Resolution/Aspect | Size | Frame rate | File format/Compression | Bit rate*2 | Bit depth | HDMI outupt Resolution(Frame rate)/Sampling/Bit depth |
Crop Magnification | ||
|---|---|---|---|---|---|---|---|---|---|
| DIS ON | DIS OFF | ||||||||
| 8K 16:9 |
7680 x 4320 | 29.97p 25.00p 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 3520Mbps(29.97p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.51x | |
| ProRes 422 MOV*1 | 2352Mbps(29.97p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 1632Mbps(29.97p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.51x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.51x | |||||
| DCI8K 17:9 |
8192 x 4320 | 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 3004Mbps(24.00p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.42x | |
| ProRes 422 MOV*1 | 2007Mbps(24.00p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 1393Mbps(24.00p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 DCI4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.42x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 DCI4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.42x | |||||
| ANAMOR 8K 2.76:1 |
8192 x 2968 | 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 2064Mbps(24.00p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.24x | |
| ProRes 422 MOV*1 | 1379Mbps(24.00p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 957Mbps(24.00p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.24x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.24x | |||||
| CINE 5.8K 2.35:1 |
5824 x 2476 | 29.97p 25.00p 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 1530Mbps(29.97p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.0x | |
| ProRes 422 MOV*1 | 1022Mbps(29.97p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 709Mbps(29.97p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.0x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.0x | |||||
| 5.4K 17:9 |
5440 x 2868 | 29.97p 25.00p 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 1655Mbps(29.97p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.07x | |
| ProRes 422 MOV*1 | 1106Mbps(29.97p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 767Mbps(29.97p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 DCI4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.07x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 DCI4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.07x | |||||
| 4.8K 3:2 |
4776 x 3184 | 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 1291Mbps(24.00p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.21x | |
| ProRes 422 MOV*1 | 862Mbps(24.00p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 598Mbps(24.00p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.21x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.21x | |||||
| 4.8K 16:9 |
4776 x 2688 | 29.97p 25.00p 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 1362Mbps(29.97p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.21x | |
| ProRes 422 MOV*1 | 910Mbps(29.97p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 631Mbps(29.97p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.21x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.21x | |||||
| ANAMOR 4.6K 1.38:1 |
4664 x 3380 | 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 1338Mbps(24.00p)*3 | 10bit | FHD 4:2:2 10bit*4 | – | 1.24x | |
| ProRes 422 MOV*1 | 894Mbps(24.00p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 620Mbps(24.00p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
FHD 4:2:2 10bit (H.265 All-Intra 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 All-Intra 4:2:0 MOV)*4 |
– | 1.24x | |||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV)*4 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV)*4 |
– | 1.24x | |||||
| DCI4K 17:94K 16:9 |
4096 x 2160
3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 1877Mbps(59.94p)*3 | 10bit | DCI4K/4K 4:2:2 10bit | – | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
|
| ProRes 422 MOV*1 | 1254Mbps(59.94p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 870Mbps(59.94p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||||
| H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | DCI4K/4K 4:2:2 8bit | 1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||
| H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||||
| FHD 17:9 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
ProRes 422 HQ MOV*1 | 469Mbps(FHD16:9 59.94p)*3 | 10bit | FHD 4:2:2 10bit*5 | – | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
|
| ProRes 422 MOV*1 | 314Mbps(FHD16:9 59.94p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 218Mbps(FHD16:9 59.94p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps 360Mbps |
1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps 360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||||
| H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | FHD 4:2:2 8bit*5 | 1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||
| H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||||||
| High speed FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
120p (2x/4x/5x) 100p (2x/4x) |
ProRes 422 HQ MOV*1 | 880Mbps(FHD16:9 120p recording)*3 | 10bit | FHD(59.94p) 4:2:2 10bit*6 | – | GF:1.0x Premista:1.08x |
|
| ProRes 422 MOV*1 | 588Mbps(FHD16:9 120p recording)*3 | ||||||||
| ProRes 422 LT MOV*1 | 408Mbps(FHD16:9 120p recording)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
720Mbps (when recording) 360Mbps (when recording) |
||||||||
| H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
720Mbps (when recording) 360Mbps (when recording) 200Mbps (when recording) |
||||||||
| H.264 All-Intra 4:2:0 MOV | 360Mbps (when recording) | 8bit | FHD(59.94p) 4:2:2 8bit*6 | ||||||
| H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps (when recording) 200Mbps (when recording) |
||||||||
| Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution/Sampling/Bit depth |
Crop Magnification | |||
|---|---|---|---|---|---|---|---|
| DIS ON | DIS OFF | ||||||
| 8K 16:9 |
7680 x 4320 | 29.97p 25.00p 24.00p 23.98p |
8K 4:2:2 10bit | – | 1.51x | ||
| DCI8K 17:9 |
8192 x 4320 | 24.00p 23.98p |
8K 4:2:2 10bit*4 | – | 1.42x | ||
| ANAMOR 8K 2.76:1 |
8192 x 2968 | 24.00p 23.98p |
FHD 4:2:2 10bit*4 | – | 1.24x | ||
| CINE 5.8K 2.35:1 |
5824 x 2476 | 29.97p 25.00p 24.00p 23.98p |
4K 4:2:2 10bit*4 | – | 1.0x | ||
| 5.4K 17:9 |
5440 x 2868 | 29.97p 25.00p 24.00p 23.98p |
DCI4K 4:2:2 10bit*4 | – | 1.07x | ||
| 4.8K 3:2 |
4776 x 3184 | 24.00p 23.98p |
4K 4:2:2 10bit*4 | – | 1.21x | ||
| 4.8K 16:9 |
4776 x 2688 | 29.97p 25.00p 24.00p 23.98p |
4K 4:2:2 10bit*4 | – | 1.21x | ||
| ANAMOR 4.6K 1.38:1 |
4664 x 3380 | 24.00p 23.98p |
4K 4:2:2 10bit*4 | – | 1.24x | ||
| DCI4K 17:94K 16:9 |
4096 x 2160
3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
DCI4K/4K 4:2:2 10bit | 1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||
| FHD 17:9 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit*5 | 1.1x | GF:1.0x Premista:1.08x 35mm/ANAMORPHIC(35mm):1.21x |
||
HDMI Output (High speed REC HDMI ONLY)
| Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution(Frame rate)/Sampling/Bit depth |
Crop Magnification | |||
|---|---|---|---|---|---|---|---|
| DIS ON | DIS OFF | ||||||
| FHD 16:9 |
1920 x 1080 | 120p 100p |
FHD(120p/100p) 4:2:2 10bit | – | GF:1.0x Premista:1.08x |
||
HDMI RAW Output
| Resolution/Aspect | Size | Frame rate | Crop Magnification | ||
|---|---|---|---|---|---|
| DIS ON | DIS OFF | ||||
| 8K 16:9 |
7680 x 4320 | 29.97p 25.00p 24.00p 23.98p |
– | 1.51x | |
| DCI8K 17:9 |
8192 x 4320 | 24.00p 23.98p |
– | 1.42x | |
| 4K 16:9 |
3840 x 2160 | 59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
– | GF:1.0x | |
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